Among Ana Adam’s (b. 1964) favorite techniques are drawing and photography, immortalizing the almost-unseen, the energy, the wake of actions. She practices art like a daily alchemy, similar to nameless creations by children and women. When she believes in the holiness of matter, it is empowered, becomes dynamic, can be transfigured into art, both structurally and formally.
Ana Adamović (b. 1974) is dealing with issues of identity and memory, both personal and collective, by working on the long-term photography and video projects. She graduated at the department for the World Literature at the Belgrade University and studied photography at the Art Institute of Boston.